![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhcnugaGSXijcv_CJbMxG3KkiVcx_u6kQ384nC0Z_bUKVCmNrpVFd_kfnGnEN7wzVWywQmJv8_O5tXIglI9GmYYFzB2jQ-NWlPeWpvYUcdkenQOjRryzUSpWlcwXzav16ySbFgNnbZ2KM/s320/Thompson_26.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixi7DeJonSobcdSMaPwiI6YYeAx6K7GZNFZkXA_HMU3sSp8NuAw978f3W2r1Wzpo_T8BRWU7MK5Qxh4ImEyEZYCTCsa3kkkBieKHYPJpqiiJ_8eFKDhZngIaprO4cV22hy4Rt5f2m047c/s320/MarkThompson2.jpg)
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Realism is an emerging trend. Also, there's something unsettling about the images despite the obvious beauty.
Wennie Huang - Slate Gallery
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyqejfHM4m7Cil7-MgrJMqSNEEFmmRZhCdEThepOmnxMWK8Zxhjd1N1IhWdFq4WHVB6f11L3oT3eEk1354ODAGkpzzwWZytnZpB6wNxT3W0c7WqdL4pW9Huti1YwSmP7M-bgKDnjFCvzA/s320/huang.jpg)
I like the use of strange materials, but I do have some concern that it lacks a clear meaning or point.
Todd Hido: Bruce Silverstein Gallery
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhN1LXS1mebfLHPj9H5FRwjBCVmdRnYznLShWkEPX_kcA-mBfEaCRvzHQW6R2Zb9KgOfmW6954oNxiNfTGgExQbgOslBzECbRKVsgBSsblW-vYviL0VPNkNgbAD0T0lw5dzQ8UVUyv0V0/s320/hido.jpg)
I'm not sure about most of his work, but this piece spoke to me in a strange way. I saw something theatrical about it, also something about the history of the places with the tree shadows, and of course isolation versus home.
Michael Wolf: Bruce Silverstein Gallery
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgZ-FcaxTrfEm3zUYomIeNsFsgTKt6ZM4swbOjPWL6AWJ1zjnpFnuUTW3TV2oIi82jfD5thuzkID_82yqO_HgPSuLlF0-WjNf5spQbMxSz66ELPYeAQS786C2U7uJGujq550rJR1cBzbU/s320/wolf.jpg)
I like this series, particularly this piece, because it raises questions about the haughty taughty nature of art and ownership of famous pieces in our culture.
Joy Curtis: Klaus von Nichtssagend Gallery
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwMAPA9_U3FXq1Mz4qj9boobEUVr1f-9kr8st9LKT0K5DIX9JjxQfGygy_ly8qe6-KyKReCcmac4-JMQ0D5QumzOQKO9-INWXdwSejfyiI8wMFQvLVI7zf5l4bNP8l1l6MnRf7zOjIOe0/s320/JoyCurtis.jpg)
I like the use of found materials. To me, there is some statement about making the best of the failure of the American dream and alike.
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James Casebere: Sean Kelly Gallery
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His work is impressive for the amount of work in it, and are beautiful for it. It is also somewhat unsettling in the emptiness and blandness.
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