Andrew Edlin Gallery (Shenandoah)

Andrew Edlin Gallery

Thomas Chapman, mixed media
http://www.edlingallery.com/dynamic/new_artist_artwork.asp?ArtistID=72

Brian Adam Douglas, works in cut paper
http://www.edlingallery.com/dynamic/new_artist_artwork.asp?ArtistID=92

Sonnabend Gallery (Shenandoah)

Sonnabend Gallery
The Sonnabend Gallery is specialized in contemporary work by American and European Artists - painting, sculpture and photography.

Ashley Bickerton, mixed media
http://www.artnet.com/artist/553557/ashley-bickerton.html

Rona Pondick, sculptor
 http://www.ronapondick.com/

h: 69 x w: 62 x d: 57 in / h: 175.3 x w: 157.5 x d: 144.8 cm

h: 58 x w: 141 x d: 89.5 in / h: 147.3 x w: 358.1 x d: 227.3 cm

h: 30 x w: 27 x d: 36 in / h: 76.2 x w: 68.6 x d: 91.4 cm

Tina Kim Gallery (Shenandoah)

Tina Kim Gallery
Located in the Chelsea Arts Tower, Tina Kim Gallery is devoted to presenting an exhibition program of contemporary art by both emerging and established artists that is international in scope. In addition, since opening in 2002, the gallery has specialized in offering high quality secondary market works by established twentieth century masters as well as many of the most important artists working today. Tina Kim Gallery is affiliated with Kukje Gallery in Seoul, Korea and regularly collaborates on organizing exhibitions by internationally renowned artists. The gallery also works closely with Vintage20, a private dealer specializing in mid-century and modern furniture and design.

Joan Mitchell, painter
http://www.artnet.com/artist/11913/joan-mitchell.html

 Gerhard Richter, painter
http://www.gerhard-richter.com/

Chelsea Galleries 2

Kent Gallery

Kumi Yamashita

Profile, 1994
Wood, light, cast shadow
50 x 77 x 3 in.

City View, 2003
Aluminum, light, cast shadow

Pathway, 2008
Aluminum, light, cast shadow

P.P.O.W.

Kim Rugg

Don't Mention the War 2004, newsprint (The Guardian), 25 x 16 1/4 inches

Questions Are Being Raised 2008, newsprint (The Wall Street Journal), 23 x 15 inches

Dotty Attie

Resistance and Refusal Mean Consent/Travel 2002, oil on linen, 18 panels, each 6 x 6 inches 10 panels, each 3 x 4 inches

Contortion 2009, oil on linen, 3 panels, 6 x 6 inches each; 2 panels, 4 x 5 inches each

Vermeer's Wife 1988, oil on canvas, 9 panels, 6 x6 inches each

Freight + Volume

David Baskin

Dove Bottles, 2008, Cast Urethane Resin, Glass, 3'x8'x6

Still Life (cosmetic bottles), Still Life, 2007, Cast Urethane Rubber, Pigment

Michael Scoggins

Chelsea Galleries 2

Michele's my galleries/artists for round 2 in Chelsea:

Alexander Bonin (gallery)

• Willie Cole
• Mona Hatoum

Postmasters Gallery

• Paul Johnson

Nicholas Robinson Gallery

• Miguel Palma

Cant' figure out how to upload images, I will bring powerpoint on thumb drive. See everyone Monday evening.

Michele

David's Chelsea Galleries (2)

Soho20 Gallery

Support women, both established and up and coming.

Aphrodite Desiree Navab




















Persian Painting
















Super East West Woman



Ezizabeth Bisbing



















Modonna of Mercy (after Martini)
College, 2008, 8.75 x 5.5"





















Watson's Shark
College, 17.75 x 15.5, 2008



Alexander Gray Associates


Melvin Edwards




















Iraq (2003)
Welded Steel, 13x7x7"





















Nam (1973)
Welded Steel, 15x15x7.5"


Cary Leibowitz












I Feel Like the World Is Passing Me By
Latex Enamel On Wood, 2007, 24x117"




















Untitled (Sad Pie Graph 2)
Latex Enamel on Wood, 1990, 35.5x35.5"



Virgil De Voldere Gallery

The Gallery seems to support artists exploring issues of technology in art.

Brody Condon





















650 Polygon John Carmack
CNC Milled Polyurethane, archival inkjet printers, 2004, 106x56x65 cm














Adam Killer
DVD documentation of game modifications, 1999-2001




Duncan Wylie



















Untitled (The Physical Impossibility of Being In Two Places At Once)
Oil on Canvas, 2009, 118x78.7"

















House 1
Oil on Canvas, 2006, 28.7x33.8"

Eldis's Chelsea Galleries & Artists 10/18

Murray Guy Gallery

Matthew Buckingham

Celeritas

"The cabinet may be exhibited near a window admitting natural daylight, or under a directed artificial light-source. When the work is installed the distance between the light source and the cabinet is measured and divided by the speed of light (299,792,458m/second) to calculate the duration. The resulting time is written with chalk on the board. If the piece is shown under natural light and the exhibition space is open after nightfall the cabinet doors are closed to prevent the statement from becoming false. When the exhibition ends the calculation is erased."

Definition

"An image of the room in London where Samuel Johnson wrote the first dictionary of standard English is projected on one wall of the exhibition space. A recorded voice reflects on the circumstances which brought the dictionary into being; on Johnson’s personal relation to it; and on the nature of dictionaries in general. If language is a virus, as William Burroughs famously asserted, then Samuel Johnson’s top floor ‘dictionary-workshop’ was an intensive incubator for English. The piece questions the growing hegemony of English as an ‘international’ language, and is always presented in the language of the site where it is being exhibited."

Matthew Higgs

Photograph of a Book (Art Is To Enjoy)

Video of a book (Video Art)

From review: “His latest show is called ‘Art in Crisis -- Pictures in Peril,’ after the titles of two old books whose covers he had photographed and now presents, matted and framed, as a pair of artworks of his own. The grand calls-to-arms that now and then ring out through the art world become just two more vintage objects taken off somebody's shelf. The other pieces in this show are actual covers, or end papers, or pages, cut from art books and presented as still more matted and framed works by Higgs. Most of them read as pure abstraction, and speak to how the glories of abstract art are most often consumed and encountered: on coffee tables rather than on museum walls.”

Julie Saul Gallery

Debbie Grossman

From My Pie Town series:

“In some of my revisions, I have taken male bodies and rendered them to look like masculine women; in others, I have taken pairs of women, shifted their distance and body language, and brought them closer to create a sense of intimacy. In some of the pictures I have created women so masculine, or so ambiguously gendered, that they may not, for some viewers, clearly read as one gender or the other. I've also left a few images untouched, allowing for another dimension of re-reading Lee's work.”

“Because the images of Lee's time in Pie Town are available in high resolution form from the Library of Congress, I was able to get close to Lee's images on a pixel level. For me, working with photographs and editing them so closely in Photoshop is a kind of an intimate act. Zooming in and carving a feminine jaw out of a masculine one, or manipulating the touch of one woman's hand on another's shoulder is a way for me to access and merge my desire with figures which would have otherwise remained frozen in time. I've begun to think of Photoshop itself as my medium - I'm fascinated by the fact that it shares qualities with both photography and drawing. This work creates something that reads as a photograph, and is infinitely reproducible like a photograph, but at the same time depends heavily upon the intervention of my hand.”

Mixed Greens

Christina Mazzalupo

Types of Ways 2, graphite and watercolor on paper tags

Phrenology: A Study, graphite and watercolor on sketch paper

Mary Temple

South Light For A Cloudy Day, Chateau De Chamarande, 2008, latex paint on existing architecture

Corner Light French Gothic, 2007, latex paint on installed wall panels, hardwood floor, stain and varnish